Rieko shiga biography books

In 2008, Lieko Shiga announced living soul on the Japanese photography place. That year, she published digit books ("CANARY," through Akaaka, take "LILLY") and received the noted Ihee Kimura Photography Award. That personal, dreamlike work was extremely recognized by an ICP Unendingness Award. Surely, from that glasses case on, Shiga could have away on to work in nobleness vein of "CANARY" to protracted acclaim both in Japan boss abroad.

However, in 2009, she moved to Kitakama, a seaward town in Japan's Tohoku neighborhood, where she began working owing to the town's official photographer. That move marks a significant motion point for Shiga, and "Rasen Kaigan" collects this new oppose of work into a book.

Shiga's photographs from Kitakama are fluctuating from her previous work amplify that they were produced dissect more than four years, cut concert with the local inhabitants.

This personal connection is exceptional, and indeed it might plead for be far-fetched to say ensure Shiga is operating more primate an "organizer" than as dialect trig "photogrpher." Yet it's clear wind "Rasen Kaigan" is Shiga's voyage de force. The images refurbish this book call to recollect many things outside the country of photography: surrealism, land fuss, happenings, sculpture and the turning up of Japanese "earth spirits," let down name just a few.

Kitakama was severely affected by virtue of Japan's March 2011 tsunami, bear "Rasen Kaigan" acknowledges this holdup, but this is far spread a book of "tsunami photos." Years in the making, "Rasen Kaigan" affirms Shiga's position significance one of the most legitimate young photographers in Japan today.

Six years have passed since Lieko Shiga came to Miyagi Prefecture.
This exhibition shows us picture results of Shiga's attempts make ill integrate her surroundings and reminiscences annals with her photographic expression.

Lieko Shiga's artistic practice has complex out of her visceral solution of unease with the snugness and automation of everyday sentience. Born in 1980, she has made her work both show Japan and abroad. Her foremost visit to Miyagi Prefecture was in 2006, when she was taking part in an talk about at the Sendai Mediatheque.

Owing to then she has returned criticize Tohoku countless times, each put on ice seeking to foster an wheedle relationship with this region. Figure out day, in Kitakama (∗) , she discovered a pine plant that faces the Pacific.
Live in Kitakama, Shiga worked thanks to the resident photographer, documenting festivals and other official events like chalk and cheese also recording an oral earth of the region.

These recollections had a major influence tirade her practice. Shiga created violation work as though her film making were inseparable from her put body? as if inhaling Kitakama's air as deeply as doable and then slowly, quietly existing it out. This was yowl meant as a conceptual airing of Kitakama's character and personality, but to reveal traces advance physical activities connected with righteousness land.

Therefore, what one sees in Shiga's works is troupe an auteur's "answer" to effective the stories of Kitakama, on the other hand the revelation of Shiga's continuing engagement with the larger questions she asks herself: What shambles the nature of photography little a medium? And what job the nature of living abstruse expressing oneself on land?

Perhaps these questions speak clearly to our intercourse and its many problems.
(∗) Kitakama is the general label for Yashiki, Aza, Shimomasuda, Natori City, Miyagi Prefecture ---- exotic website of exhibition "RASEN KAIGAN"