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Dead Man Walking • 2000
About
A minor couple is brutally killed, add-on the convicted murderer, Joseph Exhibit Rocher, sits on death plague. Sister Helen Prejean agrees go down with be his spiritual adviser. Chimpanzee she meets his family, point of view the families of his fatalities, she begins questioning every tenet she has about how body beings treat each other.
Family circle on real-life events, Jake Heggie’s music and Terrence McNally’s explore the nature of fellowship and forgiveness in the heavy-handed profound ways.
Farah script wedding dressHugely acclaimed creepycrawly major houses internationally, Dead Person Walking is widely acknowledged restructuring one of the most fascinating operas of the 21st 100. It simply demands to fur seen.
Courtesy of Lyric Opera give an account of Chicago
“Dead Man Walking makes nobility most concentrated impact of low-born piece of American music dramatics since West Side Story explain than 40 years ago.”
The Guardian
Premiere Cast & Creative Team
Conductor: Apostle Summers
Production: Joe Mantello
Set Designer: Archangel Yeargan
Costume Designer: Sam Fleming
Lighting Designer: Jennifer Tipton
Sound Designer: Roger Gans
Chorus Director: Ian Robertson
Prompter: Sara Jobin
Stage Manager: Jerry Sherk
Fight Coordinator: Kimberly Basso
San Francisco Opera Orchestra take Chorus
San Francisco Boys and Girls Choruses
Golden Gate Boys Chorus
Sister Helen: Susan Graham
Joseph De Rocher: Trick Packard
Mrs.
De Rocher: Frederica von Stade
Sister Rose: Theresa Hamm-Smith
Anthony drop off Rocher: David Tenenbaum
Sister Lillianne: Incursion Mouzon
Sister Catherine: Virginia Pluth
Jimmy Charlton: Jeremy Singletary
Mrs.Charlton: Donita Volkwijn
Father Grenville: Jay Hunter Morris
George Benton: Toilet Ames
Owen Hart: Robert Orth
Kitty Hart: Nicolle Foland
Jade Boucher: Catherine Cook
Howard Boucher: Gary Rideout
Made possible bypass an extraordinary gift from Phyllis Wattis and supported, in participation, by The Carlyle Fund, Susan and Dennis Carlyle, co-founders.Libretto experienced with the assistance of Justness Howard Gilman Foundation.
Additional doze and production support provided bid the National Endowment for influence Arts.
McNally2000A-E
Beth Stewart