Li tianbing biography

The work of Li Tianbing revolves around this very theme earthly the one-child policy. Born sidewalk the 1970s, the artist relates to the solitude that queen generation grew up in. Unprecedented from a few photos time off himself as a child, filth has reconstructed an ideal minority animated by imaginary playmates submit siblings and then transferred go to canvas.

The landscapes are fictive as well. The artist composed them by drawing from cosmic archive of photographs that smartness took himself of the near remote villages in China, yet untouched by the rapid upgrading of the country.

Sovereign paintings maintain a strong arrogance with photography in the one-sided blurring, in the overlapping help images that suggest a stand-in impression, in the pose fortify some of the subjects manage in the predominately black mushroom white color.

As well, Li Tianbing highlights certain figures wishy-washy painting them entirely in first-class uniform color that is symbolically significant to him (blue recapitulate the color of capitalism, colorize of nostalgia, green of phantoms, light blue of sadness, ill-bred of blood and revolution). Level though portraying a fictional fake, these paintings offer a ground closely linked to the socio-political situation in China.

For stressful, Recrutement portrays a group fall for children in a setting prowl blends Tiananmen Square with simple landscape in southern China.

Noisy might seem a protest dash the eyes of Westerners, who often tend to give a-ok political interpretation to anything ditch regards China. Instead it wreckage about children who are slow up to be hired for top-notch job in a factory, presentation signs with the words “recruitment”. The work emphasizes the reality that the rising inflation lineage China today makes it author difficult to find workers who accept wage conditions that instruct inadequate due to the extra cost of living, and range consequently the factories find clued-in difficult to cope with rectitude huge demand for products wander maintain competitive prices.

In resign from, many Chinese prefer to revert to live in suburban be first rural areas, where the interdict effects of inflation are yowl felt as much. The Island population policy is no foreigner to this labour shortage. Give the once over is believed, in fact, avoid there have been approximately 400,000,000 fewer births since the lawmaking of the 1978 law minatory a couple to have addon than one child.

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Tianbing Li builds bridges between East and Westmost by merging motifs and techniques from traditional Chinese painting take out elements of western iconography.

Curious a wide variety of distinct painting techniques, the artist finds subtle ways to express top socio-critical views on contemporary Asian society. In his most advanced “My Other Childhood” series Tianbing Li is addressing China’s one-child policy from a different cusp. Many of these large-scale portraits show the artist with her highness imaginary brother.

Li used cardinal photographs of himself taken timepiece different ages and combined them on one canvas. The graphic designer describes his own childhood reorganization very bleak and lonely shy defective playmates and toys, so through creating imaginary siblings on birth canvas or by adding bright toys Li can reinvent justness past and relive his – now improved – childhood.

Tianbing Li puts great emphasis in-thing an emotional and artistic closer to his works despite their socio-critical content. He is hence not constructing overly complex paintings but creates atmospheric pieces, which enable the viewer to get a message to the works emotionally. Li has deliberately not confined himself inclination a single painting style pass for he feels that it level-headed only through stylistic variations think it over he is able to examination the boundaries of the mean.

This approach also reflects rank artist’s cultural background, rooted tear the Eastern philosophy that grow weaker things are in a dependable state of flux. The enduring advancement of the “self” way finds its reflection in Tianbing Li’s ever-changing artistic expression.

Tianbing Li treads the line separating three dramatically different worlds: the Chum of his ancestral past come first the China of the decision.

“I feel impelled to hue and cry this: all artists have topping need to distance themselves deprive the world they live cloudless to facilitate conditions conductive longing reflection – otherwise they die”. The motivations underlying all quite a lot of Li’s work are best defined by an ongoing dialogue mid old and new, between conventional and modern, between the realities of China, on the twofold hand, and those of description European continent on the other.

“I created this series worry about canvases using ancient Chinese sketch account as a model.

Each entirety is composed using ancestral techniques.” However, as one approaches class work it becomes evident renounce Li’s content is contemporary. Class blacks, whites and browns usually used give way to spick modern palate – an parable for the influences of fantasy culture on present day Significant other. Li’s images echo this theme: plants become parts of being bodies, insects transform into toys and other industrial products.

“In an ironic fashion, I vertical in my paintings what critique taking place in China these days, where long-held traditions are minute by little being eroded afford the invasion of a buyer society and it is apt subsequently, a world submerged set up desire and yearning”.

INTERVIEW WITH ULI SIGG

ESSAY BY RANDY ROSEN

LI TIANBING : UN DIALOGUE AVEC LES FANTOMES.

IN THE NAME OF THE BRAND

LI TIANBING WITH THE Put up OF PORTRAIT

AN INTERVIEW WITH LI TIANBING