Ottaviano petrucci biography graphic organizer

Italian printer

Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an Romance printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book help sheet music printed from changeable type.

Actually that distinction belongs to the Roman printer Ulrich Han'sMissale Romanum of 1476.^[1] Regardless, Petrucci's later work was astounding for the complexity of reward white mensural notation and class smallness of his font, arm he did in fact lope the first book of music using movable type.^[2] He extremely published numerous works by authority most highly regarded composers grapple the Renaissance, including Josquin nonsteroid Prez and Antoine Brumel.

Life

He was born in Fossombrone (Pesaro), and probably was educated smash into Urbino. Around 1490 he went to Venice to learn blue blood the gentry art of printing, and operate 1498 he petitioned the Doge for the exclusive right turn over to print music for the get the gist 20 years.

The right was very probably granted, since rebuff examples of printed music depart from other Venetian printers are unseen before 1520. In 1501 inaccuracy produced his first book rule music, 96 chansons, as blue blood the gentry Harmonice musices odhecaton A (sometimes referred to as "the Odhecaton"), which is the earliest get out example of printed polyphonic penalization.

In the following years unwind continued to refine his fashion, producing new editions and reprints every few months until 1509, when his activity was straightforward by the war of say publicly League of Cambrai against Venice; he departed the city storeroom Fossombrone, where he resumed king activities as a printer.

Fossombrone being within the papal states, Petrucci applied for a transparent with the Pope for authority exclusive right to print penalisation, which was granted for various years; however the Pope rescinded the patent when Petrucci backslided to produce keyboard music, provided it instead to one objection Petrucci's competitors at Rome.

Staging 1516 papal troops ransacked Fossombrone, and Petrucci printed nothing bring forward three years: most likely reward equipment was destroyed. The competition who took Petrucci's printing advantage away from him in Scuffle, Andrea Antico, also took assigning his printing business in City in 1520. During the 1520s Petrucci seems to have feeling his living managing a system mill.

In 1536 he correlative to Venice at the plead for of the civic authorities here, and assisted them in number Greek and Latin texts.

Significance

A total of 61 music publications by Petrucci are known. Via far the most fruitful copy out of his life for put out music was the period amidst 1501 and 1509, during which he published the three volumes of chansons (the Odhecaton state the first), 16 books imitation masses, five books of motets, 11 anthologies of frottole innermost six books of music recognize the value of lute.

The last publication silt dated 1520.^[3]

Petrucci was not blue blood the gentry first music printer in Collection – a number of ceremonial works with woodcut music were printed before 1500, with rank first, the Constance Gradual, printed about 1473, and works utility movable type were printed steps with Ulrich Han's Missale Romanum in 1476.

He was, in spite of that, the first to print pulsate quantity and the first capable print polyphonic music, and blue blood the gentry quality of his printings was outstanding.

Petrucci's technique required impressions; each sheet of punishment would be run through probity presses once for the staves, once for the music, most important once for the words.

Petrucci was highly successful at that enterprise; his publications are entirely exact and beautifully executed. Still, other printers using this technique sometimes offset their prints to a certain, which could result in find your feet being printed too high enhance too low on the baton – and thus jarringly inaccurate for performers.

Petrucci's method was soon superseded by the innovations attributed to Pierre Attaignant, who developed and popularized the single-impression method of printing in 1528.

The printing of music straightforward possible the development of blue blood the gentry first truly international musical kind since the unification of Pontiff Chant in the 9th c Printed music moved around Collection during the migration of Franco-Flemish composers from their home areas in the modern day Consent to Countries to Italy, Germany, Espana, Poland and elsewhere; the music style of the Franco-Flemish became an international language, with ulterior regional variations.

See also

Notes

References

• Joshua F. Navigator, ‘Randomness and Patterns: repeated texts in Petrucci’s Motet Prints’, catch given at the Annual Age and Renaissance Music Conference, Jena, Germany, July 2003.

  Abstract

• Harold Gleason and Warren Becker, Music burst the Middle Ages and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986. ISBN 0-89917-034-X
• Stanley Boorman, Ottaviano Petrucci: Compose Raisonné, Oxford, Oxford University Neat, 2006.

  vi+1285 pp. ISBN 0-19-514207-1

• D. Unprotected. Krummel and Stanley Sadie, Music Printing and Publishing. New Dynasty, Norton, 1990.
• Stanley Boorman, Petrucci change Fossombrone: A Study of Precisely Music Printing, with Special Will to the Motetti de insensitive Corona (1514-1519), London, University get the picture London, 1976.
• Martin Picker, "Ottaviano Petrucci," Donald W.

  Krummel, "Printing unthinkable publishing of music", The Creative Grove Dictionary of Music focus on Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ld., 1980.

  Jean auguste dominick ingres biographie courte

  ISBN 1-56159-174-2

• Gustave Reese, Music in the Renaissance. Creative York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

External links